Rebecca Frech at Shoved To Them is writing about playing the self-presentation game, something that's become necessary as she has searched for a diagnosis for the apparent degeneration of her ten-year-old daughter's lower-body strength.
All morning, I've been thinking back to the girl I was in junior high and high school. I was a little bit hopeless. While my friends could execute the eleborately sculpted hairstyles of the 80s and 90s, and perfectly swipe on the latest make-up trends, I couldn't. I wanted to, but I always ended up looking as if I'd gotten ready in a very dark room. I would slide back to my comfortable default of tomboy, and hang out there.
As a young mom, my go-to look became either a naked face and simple ponytail, or the bare minimum of mascara and lipgloss. I wanted to look pulled together, but it was really a lot more work than I was willing to do. Which makes mornings like this amusing and a little sad to me.
In the time since Ella's arthritis journey began, I've become an expert with a flat iron. I've learned more than I ever wanted to know about the nuances of eyeshadow, and have debated the merits of different mascara brands. My jewelry box overflows with accessories, a far cry from the few funky pieces I once owned and loved.
Part of my transformation is due to maturity and the influence of one very style savvy friend, but more so to the quest for credibility.
Two years ago in a rheumatologist's office, I realized that my intelligence is tied into the perfection of my eyeliner. The more put-together I look, the more seriously medical professionals take what I have to say. My naked face makes me invisible, while a full face of make-up makes me worthy of being heard. It's a game of perception.
...Authority figures are perfection. That's what I've learned in the past two years.
If all the world is a stage, and we are merely players, I'm playing my part today. I've painted on the mask of rational and reasonable motherhood. I put on my visible intelligence along with my jewelry. I spritzed on confidence along with my perfume. It's an act, a carefully fashioned persona. It's ridiculous and maddening, and dead necessary.
One last check in the mirror, and a final tug at the shape wear that's smoothing out my imperfections. My two year old pats my leg and smiles up at me, "Pretty mama" comes from behind her paci. And I know I'm done.
The flawless image of calm perfection this morning is all part of a absurd game, but it's the most important one I'll ever play. I didn't make the rules, butI've learned how to play by them, and I'm going to win.
I don't have an urgent reason to put on a mask, the way Rebecca does right now. But I relate to a lot of what she says here anyway. I understand defaulting to a not-wanting-to-bother-with-all-that crud. I couldn't quite figure any of it out, either, and couldn't see the point. Ridiculous.
I didn't want to play some stupid game of presentation.
Much later, I understood that other people are going to play the game of perceiving whether we want them to or not, and opting out of that game is ... not exactly impossible... but let's say, it's a privilege to be able to opt out of it.
You sometimes don't run up against it until, all of a sudden, a gatekeeper of some kind finds a reason to interpret their perception of you in the worst possible way.
Rebecca needs to look like an intelligent adult, concerned for her child because of a non-imaginary reason. Above all she needs the professionals she deals with to be able to see themselves in her place: concerned that time is running out, frustrated by a diagnosis because it is difficult to pin down, not because it is not real. For her daughter not to be dismissed, she needs to be undismissable.
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As for me, I don't have the urgent problem that Rebecca is facing; but in a way that seemed a bit backward at the time, my morning self-care routine started to get slightly more complicated the more children I had.
As I finished up graduate school in the wake of having had my first baby (and my second), and as I realized I wasn't likely to be looking for a job anytime soon after graduate school, I neglected "professional" behavior: I skipped out on every seminar and extra duty I could get away with, I brought the baby with me to my office and to conferences, I worked from home, I dropped to part-time. All this worked well enough for me given my priorities -- we kept the kids out of childcare, I graduated -- but I could feel the air turn just a bit colder. I developed a strong aversion to the sense of not appearing to belong. I still carry that aversion with me.
I do not have a "personal style" to speak of. When it comes to dressing myself, I'm constantly waffling between two mostly-false personae:
- the Deliberately Low-Maintenance, Vaguely Athletic (Tevas, performance-fabric hoodies, quick-dry skorts -- see the Title Nine catalogue for what I'm going for) ; and
- Simple, Classic, A Bit Retro (less-outrageous John Fluevog shoes, tailored pants and fitted dresses, lots of black, jeans carefully selected at considerable time and expense, a curated closet of a few versatile pieces).
What these two personae have in common is only what they are not: Sloppy Mommy.
They are the two things I can somewhat convincingly be -- in order not to be Sloppy Mommy.
I felt that Sloppy Mommy was somewhat forgivable, early in my parenting years. But nowadays, when I am liable to show up at the art museum at noon or at a local family restaurant late on a Tuesday evening with five children, I'm very, very determined to avoid it.
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Sometime during my fifth pregnancy, I went from Bare-Faced But With Decent Hair to mascara and tinted lip balm.
I can't decide if this is an advance or a retreat.
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As time goes on, though, it's less about who I don't want to be, and more about who I want to be. And there's another thing those two personae have in common, another thing that separates them from the specter of Sloppy Mommy: they look like they did it on purpose. Athletic Me, at least in my mind, might have just came from the gym (wet hair, therefore, is totally okay) or is about to go kayaking or something. Simple But Classic Me might be on her way to work, or to meet her husband for a dinner date.
Both personae appear to have plans. Options. I'm choosing to be here, where I am, with you.
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In college sometimes, a classmate here or there, normally unshaven in a grunge shirt and jeans full of the tiny holes that mark you as having done your time in organic chemistry lab, would suddenly show up to class in a pressed button down shirt and suit-pants, the coat hung carefully in the back of the classroom. Or if it was a woman, the Birks traded for heels and pantyhose. Everyone knows what that means: Job interview today. We accept it. But everyone knows, yes even the interviewer knows, that The Suit is not who we really are.
It's necessary, I guess, so we can prove that we can play the game if it's called for. Because unwillingness to play the game is one thing, but inability is another.
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How to maintain a belief -- simultaneously -- that invisible character is far more important than appearance -- at the same time as conceding the practical advantage of cultivating a useful appearance? These questions never seemed to matter too much until I had children to teach. We are trying to teach them to see beyond appearances while, simultaneously, teaching them to give no one else a reason to dismiss them because of their own appearances.
Does the one lesson undermine the other?
I can grasp at a few ways to reconcile the disconnect. Rebecca has found one, an adversarial interpretation: it's a game she didn't choose to play, but having been dropped into the arena, she intends to win. Those polished nails are sharp.
I tend to take a fake-it-till-you-make it approach, dressing as the woman I would like to be (only I'm a bit schizophrenic about exactly who that is). Self-confidence is good to have, I might say, and it's the kind of thing that travels both directions: when we feel confident we look polished, or at least purposeful; and when we take time to be deliberate about appearance, we feel more confident.
Opting out is a possibility, too, but I fear it only really works when it's authentically radical: St. Francis of Assisi, Frida Kahlo.
How about you? Is that a mask, or is it real?
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